The night is like a lovely tune
Beware, my foolish heart
So white the ever-constant moon
Take care, my foolish heart
There’s a line between love and fascination
It’s hard to see on an evening such as this
For they both give the very same sensation
When you’re lost in the magic of a kiss
Your lips are much too close to mine
Beware, my foolish heart
But should our eager lips combine
Then let the fires start
For this time it isn’t fascination
Or a dream that will fade and fall apart
It’s love
This time it’s love, my foolish heart
There’s a line between love and fascination
It’s hard to see on an evening such as this
For they both give the very same sensation
When you’re lost in the magic of a kiss
Your lips are much too close to mine
Beware, my foolish heart
But should our eager lips combine
Then let the fires start
For this time it isn’t fascination
Or a dream that will fade and fall apart
It’s love
This time it’s love, my foolish heart
I used to listen to Scott play live when he was nineteen. Scary thing is he sounded like this even then. Gorgeous tenor sax playing with his heart in every note. Scott makes me dream...
Amazing and beautiful, no words to describe this great experience of listening this masterpiece! Beautiful saxophone sound and incredible development of melody. Perfect! The strings arrangement is beautiful too!Thank you,dear Scott Hamilton!
Nothing to add to all the commendations except, how about the American Songbook? Where would Jazz be without it? My Foolish Heart is being used in the film Carol, with the Margaret Whiting recording. Scott is unsurpassed.
Simply the best of the best ever tenor sax stylist. Coleman Hawkins, Lester Young,Ben Webster, Chu Berry, Flip Phillips, Don Byas, Stan Getz, Charlie Ventura, Lucky Thompson, Georgie Auld, Benny Carter, Eddie Davis. Scott Hamilton mastered the vocabulary of all the past masters and put his own mark on it. He is the BEST ...unsurpassed in my opinion........