White Light
Goin' messing up my mind
White Light
Don’t you know it’s gonna make me go blind?
White Heat
Iit tickles me down to my toes
White Light
Have mercy White Light have it goodness knows
White Light
White Light
Goin' messing up my brain
White Light
Oh, White Light
It’s gonna drive me insane
White Heat
White Heat it tickles me down to my toes
White Light
Oh, White Light I said now, goodness knows, do it White Light
Oh, I surely do love to watch that stuff drip itself in White Light
Watch that side, watch that side
Don’t you know gonna be dead and dried
White Heat
Yeah foxy mama watchin' me walking down the street
White Light
Come upside your head, gonna make a dead hang on your street
White Light
Movin"me between my brain
White Light
Gonna make you insane
White Heat
Oh, White Heat it tickles me down to my toes
White Light
Oh, White Light, I said now, goodness knows
White Light
Oh, White Light it lightens up my eyes
White Light
Don’t you know it fills me up with surprise
White Heat
Oh, White Heat tickle me down to my toes
White Light
Oh, White Light, I’ll tell you now, goodness knows, now work it White Light
Oh, she surely do move speed
Watch that speed freak, watch that speed freak,
Yeah we’re gonna go and make it every week
White Heat
Oh, Sputter mutter, everbody’s gonna kill their mother
White Light
Here she comes, here she comes
Everybody get it, gonna make me run
Do it
Lou was/is Poet Laureate of Dope (among other things). "Waiting for the Man", "Heroin". "White Light White Heat"...40+ years later & no lyricist has yet surpassed Lou for writing so compellingly about drugs experience!
Hmm, again I think it could be the contrast. Reed's work was always the more macabre and downbeat, extending to his solo career. When you consider what he wrote in 'The Gift' and 'Sister Ray', I think Reed always was the menacing part of VU.
Speaking of 'Godiva', its interesting to note the approaches in their vocal contributions. Cale sings it somewhat sweetly and innocently, whereas Reed chimes in menacingly, almost yelling 'Sweetly!' (of all words), and Reed's vocals in general are abrasive.
great song and a great slide show. Rip to lou reed,nico,sterling morrison and andy warhol. The velvet underground one of my favorite bands of that era.
The song is about injecting amphetamines. I'm not sure where your confusion arises. The lyrics are straight forward. He's describing the effects the drug has on him, "White light, it's gonna drive me insane." Further describing the effects, perhaps of too much amphetamines manifesting itself in a stimulant psychosis, "Sputter mutter everybody gonna go kill their mother." As for it perhaps being figurative, you could see white light as representing overindulgence in any number of activities.
god bless john cale and his experimental edge. without him the velvet's first records wouldn't have been more than good rock and roll albums (as you can see after his departure)
Also take into account Reed's quote about his 'Metal Machine Music' album - '[its the only record I know that attacks the listener]'!
I think Cale was openly experimental with music, whereas Reed was entirely subversive, with deceptively 'upbeat' tunes.
His lyrics were always the real recesses of VU. I think that Cale wrote music that could be interpreted as dark, but was generally a milder personality, whereas Reed wrote subversive pop tunes because he was the real vampire of VU. Haha.
I'm reminded of Ray Manzarek's line in the movie The Doors (at a Warhol/Underground party):
"Come on Jim, this isn't our scene, these people are vampires."
First thing I did when I got to Uni in Manchester in 1971, go to Pandemonium Records on Oxford Rd and buy this album. One month later, saw the band (Yule and Tucker, anyway) for 55p.
Them were t'days!